When the Beatles burst onto the musical scene in the early 1960s, they reflected the era’s great idealism and its frenzy of political protest and debate, producing music that would become synonymous with the decade itself. The CWC’s winter series Beatles Revolutions examines the ways in which the band was central to broader revolutions in music, culture, and politics. The series spans documentary, animation, and fictionalized versions of the Beatles’ lives, and will feature distinguished guests who have written about, toured with, and produced music for the Beatles.
Composed with the urgency and rage of youth, Frankenstein was published in 1818 when its author Mary Shelley was only eighteen years old. To honor the novel’s 200th anniversary and its enduring legacy, the CWC’s fall series is devoted to exploring multiple afterlives of the novel on film. The series will range from classical horror to science fiction to avant-garde experimentation, and will feature a recent biopic and a masterpiece of Spanish cinema. In our series, Frankenstein emerges as a complex tale about gender and sexuality, uncanny families and feminist rage; the films we will present plumb questions about creativity, personal tragedy and the relationship between life and death.
The CWC series “Women in Comedy” showcases the achievement of women in American film and television comedy. At a time when comedy across all media remains dominated by men, female comedians have achieved unprecedented visibility as artists, writers, producers, and performers. Women comedians have produced enduring works of humor as a means of self-expression, artistic innovation, and political intervention. The Carsey-Wolf Center aims to highlight some of the best of this work, and to feature in-depth discussions with guests that include scholars and participants in the creative process.
From the earliest days of cinema, screenwriters, directors, producers, and actors have taken up the challenge of translating Shakespeare’s plays to the screen. The Carsey-Wolf Center’s Shakespeare on Film series will address the ongoing romance between Shakespeare and film through screenings of classic adaptations by Laurence Olivier and Orson Welles as well as more contemporary films that position Shakespeare in global contexts.
Nearly a century ago, an unprecedented number of German exiles and immigrants working in the film industry left Europe for the United States. Lured by the resources of 1920s Hollywood and then pushed into exile by politics in 1930s Berlin, these filmmakers contributed some of the most influential films in the history of cinema. Focusing on the work of filmmakers who began their careers in Berlin and later worked in Hollywood, this series presents the latest restorations of their masterpieces in the state-of-the-art Pollock Theater with dynamic post-screening contributions from contemporary filmmakers, scholars, and artists.
While transgender issues have been represented on film for at least a decade, recent media work more fully engages the views and creative labor of transgender and gender-variant people. “Trans Media” at the Pollock Theater will showcase contemporary media work in television, narrative filmmaking, and critical documentary in an effort to explore the relationship between sexual orientation and gender identity outside of a rigid binary view of the world.
The Carsey-Wolf Center and the Pollock Theater are pleased to present a series of films dedicated to exploring the work of legendary director Alfred Hitchcock, whose career spanned two continents and more than six decades. “Expanded Hitchcock” will include classic Hitchcock films seen from a new angle, recently restored films, and a special screening of an early film with musical accompaniment.