Connectivity: Moviegoing and Film Exhibition in Flux
- Saturday, November 22, 2025 / 2:00 PM - 4:00 PM (PST)
- Pollock Theater
- With Jackie Brenneman, Maggie Mackay, Jason Reitman, and Brad Silberling
Recent headlines about box office numbers and the status of theatrical exhibition have been gloomy. Yet independent theaters and community-driven moviegoing are having a renaissance not just in Los Angeles, but across the country, as the industry continues to transform in the wake of shifting audience behaviors, distribution patterns, and the rise of streaming platforms. This panel brings together filmmakers, exhibitors, distributors, historians, and cultural advocates to explore how independent cinemas, distribution companies, and filmmakers are navigating unprecedented challenges by creating new opportunities for movie theaters, moviegoers, and moviemakers.
What are the new models for theatrical exhibition, and how can they be sustained in the face of technological change and industrial transformation? How are exhibitors navigating the troubled waters of a post-COVID, post-strike entertainment industry? How are today’s theater operators tapping emerging forms of cinephilia to rebuild their audiences while still creating unique cultural experiences around the moving image? Are the movies “back,” and will it last? This panel discussion will consider how leveraging social media, innovative programming, community-driven events, hybrid release models, and new technologies can drive movie theaters and moviegoing to new heights. As independent theaters are championed, financed, and reopened by filmmakers across North America, this panel will also discuss the role of filmmakers like Brad Silberling and Jason Reitman in leading the fight to promote the value of theatrical exhibition for the art form and the culture of moviegoing.
In this special panel discussion event, we were joined by filmmakers Brad Silberling and Jason Reitman (members of the group of prominent directors who acquired the Fox Village Westwood Theater near UCLA), Maggie Mackay (Executive Director of the Vidiots Foundation in Eagle Rock), Jackie Brenneman (founding partner of The Fithian Group), and Ross Melnick (Interim Director of the Carsey-Wolf Center, Professor of Film & Media Studies at UC Santa Barbara, and Co-founder of Cinema Treasures).
This event is free but a reservation is recommended in order to guarantee a seat.
Biographies

Jason Reitman (filmmaker)
Jason Reitman is an Academy Award-nominated filmmaker who most recently directed Saturday Night. Reitman made his feature film debut with the 2006 Sundance hit Thank You for Smoking. He earned Academy Award nominations for directing Juno and Up in the Air. Reitman has collaborated with screenwriter Diablo Cody on four critically acclaimed films, including Young Adult, Tully, and Jennifer’s Body. As a producer, Reitman oversaw four seasons of the Hulu comedy series Casual. He also produced the Academy Award-winning film Whiplash and Jean-Marc Vallee’s Demolition. In 2020, during the height of the COVID pandemic, Reitman created and directed Home Movie: The Princess Bride, raising over a million dollars for World Central Kitchen. In 2021, Reitman directed and co-wrote Ghostbusters: Afterlife, and in 2023, produced and co-wrote its sequel, Ghostbusters: Frozen Empire. In early 2024, Reitman assembled 35 prominent film directors in order to save the Westwood Village Theater.

Brad Silberling (filmmaker)
Brad Silberling (BA English, UCSB) is a film and television director, producer, and writer. As a director, his first feature film credit, for producer Steven Spielberg, was the family classic Casper (1995). His other directing credits include the box-office hit City of Angels (1998) and the Academy Award-winning Lemony Snicket’s A Series of Unfortunate Events (2004), starring Jim Carrey and Meryl Streep. He also served as Director, Producer, and Writer for the critically acclaimed Moonlight Mile (2002), 10 Items or Less (2006), Land of the Lost (2009), and An Ordinary Man (2017).
His extensive television directing credits also include work on numerous Steven Bochco series including NYPD Blue and L.A. Law, among others. He has also served as the Director and Executive Producer of The CW’s Reign, Jane the Virgin, Dynasty, and Charmed, as well as NBC’s Heartbreaker. This year, Brad is also directing a new Amazon drama pilot, It’s Not Like That.

Maggie Mackay (Executive Director, Vidiots Foundation)

Jackie Brenneman (Founding Partner, The Fithian Group)

Ross Melnick (Interim Director, Carsey-Wolf Center)
Ross Melnick is Professor of Film and Media Studies at UC Santa Barbara and Interim Director of the Carsey-Wolf Center. He was named an Academy of Motion Picture Arts and Sciences Film Scholar and a National Endowment for the Humanities Fellow for his book Hollywood’s Embassies: How Movie Theaters Projected American Power Around the World (Columbia University Press, 2022). He is the author of American Showman: Samuel ‘Roxy’ Rothafel and the Birth of the Entertainment Industry (CUP, 2012), co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (AFI/Routledge, 2018), and co-author of Cinema Treasures (MBI, 2004). His research has appeared in Journal of Cinema and Media Studies, Film History, The Moving Image, Historical Journal of Film, Radio and Television, and in numerous other journals and edited collections.
This event is sponsored by the Carsey-Wolf Center.
CWC Presents: Connectivity
The Carsey-Wolf Center’s 2025-26 feature series Connectivity examines the evolving meaning of connection in our contemporary moment. While the term “connectivity” often invokes our ever-increasing entanglement with digital infrastructure and social media networks, this series reimagines the term not only as a technical feature of media, but as a humanistic value and a condition of social and public life. This series embraces connectivity as a framework for thinking critically about the ways in which people use media to connect with ideas and with one another, from the shared experience of moviegoing to the collective bonds forged through storytelling and public dialogue.