Trans Media: Transparent

Amy Villarejo has published widely in cinema and media studies, with research on feminist and queer media, documentary film, Brazilian cinema, Indian cinema, American television, critical theory, and cultural studies. Her first book, Lesbian Rule: Cultural Criticism and the Value of Desire (Duke University Press), won the Katherine Singer Kovacs award from the Society for Cinema and Media Studies for best book in the field in 2003. She has written on Hollywood (Queen Christina, from BFI Publishing) and on television, in her most recent monograph Ethereal Queer: Television, Historicity, Desire (Duke University Press). Her work intersects with cultural studies, and, with co-editor Matthew Tinkcom, she has edited a volume exploring that intersection entitled Keyframes (Routledge). With Jordana Rosenberg, she is co-editor of a special issue of the journal GLQ on “Queer Studies and the Crises of Capitalism.” For students and general readers interested in cinema and media, she is the author of Film Studies: The Basics (Routledge) and Film Studies: A Global Introduction. Her articles have appeared in journals such as Film Quarterly, Cinema Journal, New German Critique, Social Text, and numerous anthologies and edited collections.

Patrice Petro is a Professor of Film and Media Studies and Dick Wolf Director of the Carsey-Wolf Center and Presidential Chair in Media Studies. She is the author, editor, and co-editor of eleven books, such as After Capitalism: Horizons of Finance, Culture, and Citizenship (with Kennan Ferguson, 2016), Beyond Globalization: Making New Worlds in Media, Art, and Social Practices (with A. Aneesh and Lane Hall, 2011), Aftershocks of the New: Feminism and Film History (2002), and Joyless Streets: Women and Melodramatic Representation in Weimar Germany (1989). Most recently, she has completed a volume entitled The Routledge Companion to Cinema and Gender (with Kristin Hole, Dijana Jelaca, and E. Ann Kaplan), which was released in 2017.